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Science fiction is the future talking to the provided. It is the motion genre which was, at first, taken lowest seriously, and will be seen as in addition a metaphor of where we are today but also a peek in to future This class clock science fiction surface finishes historically, artistically, philosophically, technologically, and even unchangingly. The class begins by looking at the earliest science fiction movies over the silent era. The course then proceeds decade by decade, of the Joyous Age of sci-fi in the 1950s, to the standard joys of the 1970s, to the exhibit day with this is investigations of humanity's make an effort to discern an ultimate reality. Monthly students examine a seminal film that brings mapped out fresh new realms, two scientifically and thematically, in an exceedingly journey that may want to follow us in to darkest reaches of our science and our souls. Prerequisite: Introduction to Science and Replica: History 2 (may be taken concurrently) or instructor acceptance
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This course examines the practice, theory and evolution of stop motion animation through a series of studio projects aimed at broadening traditional image making strategies. In this effort students will develop skills in idea producing, visual main problem solving, and develop a familiarity with digitized condense software. A survey of relevant works by artists William Kentridge, Barnstormers, Ellen Gallaghar, Robin Rhode, Nathalie Djurberg, Clare Rojas, and the Disney/Dali collab Destino, will augment studio behavior. Texts by Gilles Deleuze, Laura Mulvey, and Lev Manovich, help to further situate painting and drawing within a cinematic line of work. Students will be obligated to purchase their own materials in addition to a lab flat rate. Prerequisite: Drawing I and Sculpture I.